These images are taken from color plates painted by French artist and costume historian Auguste Racinet (1825-1893).

This slide contains 70 images of men, women and children in various forms of Renaissance, Elizabethan, and Stuart period dress, beginning with the middle of the 16th century through the end of the 17th. Each image downloads separately, which means there will be a pause between viewing each image - roughly 1-3 seconds on a 56K modem. You can watch the status of each download in the lower-left corner of your browser's window (Netscape and IExplorer). Once all images are downloaded, the pause is eliminated and you can cycle through the slide at your leisure.

Links to detailed clothing websites can be found in our Renaissance Links section.



Short Glossary of Renaissance Clothing Terms

  • AMADIS SLEEVE: tight-fitted sleeve covering over the back of the hand, invented in 1684 by an Opera actress with unsightly arm.
  • ATTIFFET: late 16th century arced woman's headdress, covered by a veil which fell to a point between the brows. Worn in black by widows.
  • BALANDRAN: a medieval rain cape.
  • BERTHA: deep round collar worn below shoulders on women's dresses.
  • BIRETTA: round cap with a square top.
  • BOLLONAIS SLEEVES: sleeves with small puffs running from shoulder to wrist.
  • BOOT: originating in medieval times for all-around wear, during renaissance boots became used only for riding, hunting and walking.
  • BOOT HOSE: long top-flared stockings worn over silk stockings
  • BOURDALOU: fine Hat-ribbon used to trim around outside of hats, many times adorned with buckles.
  • BRANDENBURG: 17th century greatcoat.
  • BROCATELLE: small-patterned cloth of a mix of silk, cotton, lisle or wool, and sometimes gold or silver thread.
  • BRODEQUIN: Light shoe worn inside boots.
  • BUFF JERKIN: military style jacket without sleeves, in cloth, leather or hide.
  • CANIONS: upper leg coverings worn over complete hose.
  • CAN(N)ONS: long and narrow half-stocking with flounced top, worn between nether hose and boot with flouncing folded over boot-top.
  • CAPA: circular wide cloak with a hood worn in Spain and France.
  • CASSOCK or CASAQUE: unbelted three-quarter length overcoat with slit sleeves, open sides, and ornamental braided decoration.
  • CENDAL: Silk taffeta-like material used for lining.
  • CHACONNE: type of cravat made of ribbon dangling from neck to chest.
  • CHAUSSES EN BOURSES: breeches made from bands and padded to swell at bottom.
  • CODPIECE: cloth made to cover opening of hose front, usually attached with buckles. During 16th century, many were used as pockets.
  • COIFFURE EN RAQUETTE: hair which swept up the head, then poofed out at temples and was supported by a hoop.
  • COLLET MONTE OF ROTONDE: linen collar with a card or tin base, fan-shaped and trimmed with lace for women.
  • CONCH: shell-shaped hat made from gauze or crepe and mounted on a tin frame.
  • CORNET: during this time period, a linen women's headdress.
  • CORPS PIQUE OR CORPS A BALEINE: quilted camisole with a bust of varnished wood for stiffening.
  • CORSET: woman's front laced gown trimmed in fur.
  • COTHURNES: thick cork-soled shoe used to increase and actor's height.
  • CRAVAT: late 17th century ornamental neckware attributed to the Croatians.
  • CUERPO BAXO: quilted, sleeveless, boned bodice worn with a basquine.
  • CHAUSSURES A CRIC or A PONT-LEVIS: shoes with heels that creaked.
  • CULOTTE: late 17th century replacement for chauses in variable lengths and sizes.
  • DEVANTIERE: woman's riding dress split in back.
  • DOGALINE: Venetian fashion of a loose straight gown with wide sleeves whose lower edge was fastened up to the shoulder, revealing the undergown sleeve.
  • DOUBLET/POURPOINT: quilted, padded garment worn during this period by all men.
  • DRAWERS: nether garment worn by women in 16th century; men wore linen or hide drawers beginning in 17th century.
  • DUTCH BREECHES: loose breeches not tied at knees.
  • ESCAFFIGNONS OR ESCHAPINS: flat, light shoes which were slashed on the top.
  • ESCOFFION: women's coif of gold and/or silk threaded net.
  • FALLING RUFF: last form of French ruff which fell to the shoulders in tiers. unstarched.
  • FARTHINGALE OR VERTUGADIN: coarse linen underskirt stretched over iron wire to support the skirts.
  • FERRERUOLO: long hoodless cape with a velvet collar.
  • FERRONIERE: small jewel on a fine chain, dangled from a headdress onto the forehead.
  • FIELTRO: hooded and high-collared cape in three-quarter length.
  • FULLBOTTOMED WIG: light wig made with three locks of hair.
  • GALLANTS: small ribbons worn in both hair and on clothes.
  • GAMURRA: believed to be a type of houppelande.
  • GARNEMENT: earliest form of term for what we now use as "garment".
  • GOLILLA: lace collar with square-cut base.
  • GREGUES: late 16th century chausses without codpieces with cut bands to reveal lining which covered inner pads.
  • GUARD-INFANTA: farthingale worn in Spain.
  • HABIT: in 17th century, doublet and breeches, sometimes with mantle and stockings, all of the same color.
  • HOQUETON: padded, tightly fitting tunic, oft times brightly decorated and used as parade uniform.
  • HUIK: Flemish mantle used to cover head and body, sometimes worn with flat felt hat crowned with a tuft.
  • JABOT: first used in mid-17th century, originally the showing of the chemise neck with lace trimmings through doublet opening.
  • JACKET: peasant garment worn by boys not yet in breeches.
  • JERKIN: outer doublet, usually sleeveless, or with sleeves made of rich cloth
  • JUBON: long sleeved camisole buttoning down front and worn under doublet.
  • KIRTLE: 16-17th century petticoat or underskirt.
  • LEADING STRINGS or TATAS: long strips fastened to shoulders of toddlers dresses to hold them while they learned to walk.
  • LETTICE CAP: white fur head-fitted cap.
  • LODIER: padded and quilted wrap used to increase the hips.
  • MANCHERON: silk or velvet half-sleeve showing under wide sleeves of gowns.
  • MORION: helmet.
  • PALATINE: fur stole named for Princess Palatine
  • MADICI COLLAR: standing collar popular in late 1500's.
  • MANTEAU or MANTUA: an overdress or gown worn over bodice and petticoat.
  • MANDILLION: short tabard-shaped outer garment with open underarm sideseams, worn by men.
  • MARIE STUART CAP: cap with downward curve or point in center forehead.
  • MARLOTTE: half-length mantle with short sleeves and a standing collar, open in front and falling to folds in back.
  • MARTINGALE BREECHES: breeches held to belt with buttons and points, having a movable panel between legs.
  • MASK: used during this period mostly by women to protect the complexion and preserve her incognito.
  • PARTLET: insert of lawn, linen or gauze used to fill the decolletage.
  • PASSEMENT: general name for lace during this period.
  • PATNA: a printed cloth imported from Patna on the Ganges.
  • PEASCOD BELLY: horn-shaped hump of stuffing used to fill out a man's doublet.
  • PETITE OIE: ribbons used to trim men's suits.
  • PETTICOAT BREECHES: upper stocks with wide, flowing legs.
  • PIANELLE: Italian shoe or carpet slipper.
  • POCKET: small independent bag attached to a gusset.
  • PRETINTAILLES: colored, cut-out materials appliqued to women's gowns.
  • PYJAMA: from the Hindustani word epaj-jama, known as Moghul breeches during this time.
  • RABAT: lace and line collar worn over doublet.
  • REBATO: brass wire to support a ruff.
  • ROPA: outer garment oepn in front with straight collar and bouffanted sleeves worn by Spanish women.
  • ROPILLA: close fitted doublet with hanging sleeves, worn in Spain.
  • ROUND HOSE: short padded breeches, paned to show lining.
  • RUFF: pleated and starched collerette universally worn in varying forms and sizes, dependent upon the country in which it is worn.
  • SACRISTAN: brass wire farthingale with 5 or 6 hoops.
  • SAIE or SAYE: cape-sleeved beltless coat with front buttons usually worn by pages.
  • SBERNIA: long scarf draped from a pin on left shoulder.
  • SCARF: cloth worn by women over head and shoulders.
  • SHADOW: woman's cap with downward brow point and extended sides.
  • SHOE ROSES: rosettes that decorated fronts of shoes.
  • SHOULDER ROLLS or WINGS: shoulder decoration to cover seams.
  • SLASHINGS: small slits in garments used to show linings.
  • SOMBRERO: soft hat worn in Spain, sometimes decorated with an ostrich feather, and worn flipped up on one side.
  • STEINKIRK CRAVAT: invented by a female opera singer, a lace cravat thrown over the coat, with the end either tucked into a buttonhole or corset laces.
  • STOMACHER: panel of trimmed or jewelled stuff in triangular form, superimposed on bodice front.
  • TASSEAU or TASSEL: black triangle of cloth used to fill in bodice neckline.
  • TIPPET: short shoulder cape.
  • TONTILLO: kind of farthingale with steel hoops worn in Spain.
  • TROUSSES: upper hose which fitted the thighs tightly.
  • VENETIANS: bouffant-shaped breeches tied at knee by garter ribbons.
  • VLIEGER: same as a Ropa.

Renaissance Event Timeline to follow....

 

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